Ceiling (refers to the hall ceiling) and dome (concave head) decorative arts, in the 16th to the 18th century

Ceiling (refers to the hall ceiling) and dome (concave head) decorative arts, in the 16th to the 18th century.
From the Renaissance to the classical era: frame decoration. Early Renaissance artists working for the Vatican, Michelangelo (Michel - Ange) in the Sistine chapel, the Raphael (Raphael) invented in loggia - both the ceiling frame painting, painting in the simulation scenario building background.
This kind of decorative painting, Fontainebleau, 16th century painting. Le Brun (Le Brun) at Versailles palace hall for the mirror, contain the style and classical style of French style decoration, especially affected the Anne barr, Karachi from 1597 to 1600 in Rome farnese palace farnese hall decoration.
Baroque and rococo style of painting style to realistically. From the late 15th century to the 16th century, northern Italy oil painting artists, puts forward the technique of expression of another image.
Mantegna (Andrea Mantegna) for the duke of mantua mansion couples bedroom adornment, clay hot (Correge) in Obama's three large adornment picture (Carmela di st Paul's cathedral, evangelists giovanni church, Obama's cathedral). Their bold innovation, create illusion, as the structure of the dome extends to the real sky, the sky is according to the characters of upward Angle of perspective drawing. This new attempt on the realistic open space, in the 17th century Italian baroque era reached the peak. At oil painting reproductions that time, some painters have created huge works, suddenly, the sky seems to be opened by decorative building real imaginary space. As Peter luo da cole toner (Pietro da Cortona) from 1633 to 1639 in Rome barr berry and palace, the godsworn Andre Pozzo (Andrea Pozzo) from 1691 to 1694 in Rome st. Joe church adornment picture. Picture the image that is full of flying, there are some flew painting out of the ceiling, join the image edge with marble powder shaping of painting.
The 18th century, giovanni, fulgencio batista, el polo inherited the tradition, but the style tend to be more soft, the figure is less, and almost all hold within the limited space.

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